21 INTERNATIONAL HUMAN RIGHTS DOCUMENTARY FILM FESTIVAL
 31 — 9 
May
June 2024
How they celebrate at the frontline
Interviews
How they celebrate at the frontline
Interviews
What was the RIGHTS NOW! human rights programme at the 20th Travelling Docudays UA
DOCU/BLOG
What was the RIGHTS NOW! human rights programme at the 20th Travelling Docudays UA
DOCU/BLOG
Warm Meetings of the Winter: Docudays in the Doc Alliance network
Cultural Diplomacy
Warm Meetings of the Winter: Docudays in the Doc Alliance network
Cultural Diplomacy
Theory and the Practice of Context
Cultural Diplomacy
Theory and the Practice of Context
Cultural Diplomacy
IDFA 2023: Ukrainian Winners, the Russian Trace, and Tales from DocLab
Cultural Diplomacy
IDFA 2023: Ukrainian Winners, the Russian Trace, and Tales from DocLab
Cultural Diplomacy
Archiving the War: How I studied the experience of German colleagues
DOCU/BLOG
Archiving the War: How I studied the experience of German colleagues
DOCU/BLOG
Open letter to IDFA
Cultural Diplomacy
Open letter to IDFA
Cultural Diplomacy
Communicate the most important things. From “samurai’s path” to deconstructing imperialism
Cultural Diplomacy
Communicate the most important things. From “samurai’s path” to deconstructing imperialism
Cultural Diplomacy
Heading to Dublin: War, Cinema, and Human Rights
Cultural Diplomacy
Heading to Dublin: War, Cinema, and Human Rights
Cultural Diplomacy
Documentary cinema as a driving force of advocacy campaigns
DOCU/BLOG
Documentary cinema as a driving force of advocacy campaigns
DOCU/BLOG
Marko Grba Singh: "I firmly believe in humanity"
Interviews
Marko Grba Singh: "I firmly believe in humanity"
Interviews
An exercise in humanity. The review of the DOCU/ART programme
Programme Review
An exercise in humanity. The review of the DOCU/ART programme
Programme Review
DOCU/СLASS workshop: Building and protecting the future
Programme Review
DOCU/СLASS workshop: Building and protecting the future
Programme Review
Dreamy world of the DOCU/YOUTH programme
Programme Review
Dreamy world of the DOCU/YOUTH programme
Programme Review
DOCU/SYNTHESIS interdisciplinary art programme: fragmented exhibition
Programme Review
DOCU/SYNTHESIS interdisciplinary art programme: fragmented exhibition
Programme Review
DOCU/SHORT Ukraine: for better or for worse
Programme Review
DOCU/SHORT Ukraine: for better or for worse
Programme Review
"A critical look at cinema should be a basic skill." Olha Birzul about the Editing Transition programme
Interviews
"A critical look at cinema should be a basic skill." Olha Birzul about the Editing Transition programme
Interviews
DOCU/WORLD: a miracle of cinema
Programme Review
DOCU/WORLD: a miracle of cinema
Programme Review
Special events of the anniversary 20th Docudays UA
Programme Review
Special events of the anniversary 20th Docudays UA
Programme Review
Image of the Future
Programme Review
Image of the Future
Programme Review
DOCU/ART: Thousands of images of the war and the future in a digital world
Programme Review
DOCU/ART: Thousands of images of the war and the future in a digital world
Programme Review
Human rights during the war and rebuilding: what will the RIGHTS NOW! programme be like
Programme Review
Human rights during the war and rebuilding: what will the RIGHTS NOW! programme be like
Programme Review
DOCU/SHORT UA: A different kind of pain in a shared body
Programme Review
DOCU/SHORT UA: A different kind of pain in a shared body
Programme Review
Looking at images from the past: 5 films in the DOCU/UKRAINE programme
Programme Review
Looking at images from the past: 5 films in the DOCU/UKRAINE programme
Programme Review
Docudays UA x SUNNY BUNNY: Kokomo City
Programme Review
Docudays UA x SUNNY BUNNY: Kokomo City
Programme Review
Editing transition. Curated programme of Olga Birzul
Programme Review
Editing transition. Curated programme of Olga Birzul
Programme Review
Coming to Terms with the Overwhelming Experience. National Premieres of Civil Pitch 2.0 Films
Programme Review
Coming to Terms with the Overwhelming Experience. National Premieres of Civil Pitch 2.0 Films
Programme Review
Warm coming-of-age stories in the DOCU/YOUTH programme
Programme Review
Warm coming-of-age stories in the DOCU/YOUTH programme
Programme Review
Roman Bondarchuk: "Allow the rest of the world to identify with us"
DOCU/BLOG
Roman Bondarchuk: "Allow the rest of the world to identify with us"
DOCU/BLOG
The depth of truth. Aspects of covering the war.
Lecture summary
The depth of truth. Aspects of covering the war.
Lecture summary
Unconquered Kherson travels around the country
DOCU/BLOG
Unconquered Kherson travels around the country
DOCU/BLOG
DOCU/SYNTHESIS: Other species, agency, and means of expression
Programme Review
DOCU/SYNTHESIS: Other species, agency, and means of expression
Programme Review
RIGHTS NOW! Human rights programme at the 19th Travelling Docudays UA
Programme Review
RIGHTS NOW! Human rights programme at the 19th Travelling Docudays UA
Programme Review
State of Emergency: Film Weekend Programme in Kyiv
Programme Review
State of Emergency: Film Weekend Programme in Kyiv
Programme Review
Contexts, irony, and the figure of unity. The films of Spotlight on: Docudays UA 2022
Programme Review
Contexts, irony, and the figure of unity. The films of Spotlight on: Docudays UA 2022
Programme Review
"If we look at ourselves with a different set of eyes now, this is the decisive stage of the transformation that began in the broken experience of our parents."
Interviews
"Time is the privilege of a peaceful life." Ukrainian participants of Sheffield DocFest industry events talk about work in times of war
Interviews
DOCU/UKRAINE in Focus: Eva Dzhyshyashvili
Interviews
DOCU/UKRAINE in Focus: Oleksiy Radynsky
Interviews
DOCU/UKRAINE in Focus: Eva Neymann
Interviews
DOCU/UKRAINE in Focus: Dmytro Hreshko
Interviews
DOCU/UKRAINE: Inevitability of the Love of Life
Programme Review
The Future in the Past: Brand New World
Programme Review
Gesamtkunstwerk Glushkov: Art, Cybernetics, and Social Justice
Programme Review
The Humane on Both Sides of the Screen
Programme Review
Serhii Borodin: "Everybody’s looking for a magic pill for full recovery"
Interviews
Serhii Borodin: "Everybody’s looking for a magic pill for full recovery"
Interviews
Hybrid films of joy and tears in the DOCU/BEST and MASTERS programmes
Programme Review
Hybrid films of joy and tears in the DOCU/BEST and MASTERS programmes
Film critic Anna Datsiuk on DOCU/BEST and MASTERS programmes
Programme Review
DOCU/SHORT: News from around the world
Programme Review
DOCU/SHORT: News from around the world
Programme Review
Oleksandr Makhanets: “Amateur films enhance our view of the past”
Interviews
Oleksandr Makhanets: “Amateur films enhance our view of the past”
Interviews
Paths to Recovery from Death
Programme Review
Paths to Recovery from Death
Programme Review
Based on social media
Programme Review
Based on social media
How Anatolii Surma created cartoons which reveal the absurdity of modern communication
Programme Review
Serhiy Bukovsky’s memories of Borys Peter
Programme Review
Serhiy Bukovsky’s memories of Borys Peter
Programme Review
Agnieszka Holland: “It’s time for the movies to take a stand.”
Interviews
Scrolling the Pain of Others
Programme Review
Scrolling the Pain of Others
Read about DOCUART selection in a review by a film scholar and director Oleksandr Teliuk
Programme Review
DOCU/UKRAINE in Focus: Andrii Lysetskyi
Interviews
DOCU/UKRAINE in Focus: Andrii Lysetskyi
Interviews
5 verbs of the DOCU/YOUNG programme
Programme Review
5 verbs of the DOCU/YOUNG programme
Programme Review
Film Troubadours: Scotland and Ukraine
Programme Review
DOCU/BEST and MASTERS: films of well-being and strong empathy
Programme Review
DOCU/BEST and MASTERS: films of well-being and strong empathy
Programme Review
Krzysztof Kieślowski: a documentary biography
Programme Review
DOCU/UKRAINE in Focus: Irena Stetsenko
Interviews
DOCU/UKRAINE in Focus: Irena Stetsenko
Interviews
Borys Peter. Silent Pause
Interviews
Borys Peter. Silent Pause
We talked to Ihor Barba – a sound engineer and a teacher of Borys Peter - about the complexity and subtleties of working with sound in documentaries, cooperation and friendship with Borys.
Interviews
Documentary animation at the Docudays UA: Linoleum presents
Programme Review
Documentary animation at the Docudays UA: Linoleum presents
Programme Review
DOCU/UKRAINE in Focus: Ulyana Osovska and Denis Strashny
Interviews
DOCU/UKRAINE in Focus: Ulyana Osovska and Denis Strashny
Interviews
Fighting the System: On the Path to Full Recovery
Programme Review
DOCU/UKRAINE in Focus: Simon Mozgovyi
Interviews
DOCU/UKRAINE in Focus: Simon Mozgovyi
Interviews
DOCU/ART in quarantine: art as a (non-)luxury
Programme Review
Defending the right to full recovery: The RIGHTS NOW! human rights programme
Programme Review
Defending the right to full recovery: The RIGHTS NOW! human rights programme
Programme Review
Vulnerable and Fearless: DOCU/WORLD International Competition
Programme Review
Vulnerable and Fearless: DOCU/WORLD International Competition
Programme Review
DOCU/UKRAINE in Focus: Hanna Iaroshevych
Interviews
DOCU/UKRAINE in Focus: Hanna Iaroshevych
Interviews
DOCU/SHORT: Moments Together, Moments Alone
Programme Review
DOCU/SHORT: Moments Together, Moments Alone
Programme Review
DOCU/UKRAINE National Competition: On what we have in common through personal stories
Programme Review
Encounters, Dreams, and Memories
Programme Review
Encounters, Dreams, and Memories
Film critic Natalya Serebryakova on No Image Available programme
Programme Review
Xosé-Ramón “Mon” Rivas: “I do not think we can talk about a ‘school’ of Scottish cinema”
Interviews
Xosé-Ramón “Mon” Rivas: “I do not think we can talk about a ‘school’ of Scottish cinema”
Interviews
Death becomes her: the festival’s closing film
Programme Review
Death becomes her: the festival’s closing film
Programme Review
DOCU/UKRAINE in Focus: Oksana Karpovych
Interviews
DOCU/UKRAINE in Focus: Oksana Karpovych
5 Questions for the Filmmakers of the DOCU/UKRAINE Programme
Interviews
Zhanna Kadyrova: “This award is very much related to my daily life”
Interviews
Zhanna Kadyrova: “This award is very much related to my daily life”
The conversation with the artist Zhanna Kadyrova, the co-author of this year's awards statues
Interviews
Mira Burt-Wintonick: “No one has seen the footage of his utopia, but the search for it seemed like a metaphor for my fa…
Interviews
Mira Burt-Wintonick: “No one has seen the footage of his utopia, but the search for it seemed like a metaphor for my father’s artistic life”
Interviews
DOCU/UKRAINE in Focus: Tatjana Kononenko
Interviews
DOCU/UKRAINE in Focus: Tatjana Kononenko
5 Questions for the Filmmakers of the DOCU/UKRAINE Programme
Interviews
Join HAPPY HOURS home raves
Programme Review
Once upon a time in Scotland
Programme Review
Once upon a time in Scotland
Film critic Serhiy Ksaverov on the Lost Film Found: Scotland In Focus programme
Programme Review
DOCU/UKRAINE in Focus: Roman Liuby
Interviews
DOCU/UKRAINE in Focus: Roman Liuby
5 Questions for the Filmmakers of the DOCU/UKRAINE Programme
Interviews
“I don’t want the system to recognise me”
Interviews
“I don’t want the system to recognise me”
Interviews
DOCU/UKRAINE in Focus: Roman Himey and Yarema Malashchuk
Interviews
DOCU/UKRAINE in Focus: Roman Himey and Yarema Malashchuk
5 Questions for the Filmmakers of the DOCU/UKRAINE Programme
Interviews
DOCU/UKRAINE in Focus: Iryna Tsilyk
Interviews
DOCU/UKRAINE in Focus: Iryna Tsilyk
5 Questions for the Filmmakers of the DOCU/UKRAINE Programme
Interviews
Essay: A User’s Guide
Programme Review
Essay: A User’s Guide
Programme Review
Claire Simon: “Documentary cinema is despised as proletarian”
Interviews
Claire Simon: “Documentary cinema is despised as proletarian”
Interviews
On a live stream: explore the programme of the online events
Programme Review
Celebrate at home: 17th Docudays UA opening ceremony
Programme Review
Celebrate at home: 17th Docudays UA opening ceremony
Programme Review
No Image Available: film-journeys, film-essays
Programme Review